a spell of protection, a beacon home, the infinite path | current solo performance work for saxophone, text, percussion (2023- )


NOTATIONS

Litanies of Trees | 2019 | variable duration | for voice + ensemble | for Ensemble Klang

Thoreau Day (for Kadri Gopalnath) | 2019 | variable duration | for ensemble

For Marian Anderson (The Whole World) | 2019 | for viola + vibraphone, to a poem by Camae Ayewa

Elegies at the Border | 2018 | 30’ | for voice + ensemble | commissioned by Ensemble Klang

Philadelphia Rising Suite | 2015 | jazz ensemble

For Aiyana & Tamir (Elegy) | 2015 | mixed ensemble

Elegy for the Bakr children (Gaza Beach) | 2014 | open duration | saxophone & string ensemble

Critical Foreign Dependencies Initiative 2008 | 2012 | ~ 25’ | for voice and ensemble

Elegy for the schoolboys at Ghazi Khan | 2010 | 20-25’ | commissioned by Ensemble Modelo 62

The Dutch Language (2009) 8’ | commissioned by Ensemble Klang

[sic] (2008) 1’08 | commissioned by Ensemble Klang

Archivum Mirum Et Turbarum for large ensemble (2004) 16’

Bronze Age for trombone and cassette tape players (2004)

(laqoiopal) version for large ensemble (2003) 18’30

(laqoiopal) version for 5 string instruments (2003) 16’

we get it in the pocket, you get it in the neck octet (2003) 11’

(5+x)aphorisms for sax, piano, and bass (2003) 10’

The Scattering of Numbers for large ensemble, speaker and video (2002) 20’

[ubers glasperlenspiel] for saxophone quartet (2002) 10’

Stachowski Variation for junk percussion and interactive computer | 7-10’ (2001)

Concerto (after Kundera) for piano (concertante), 5 percussionists, 15 solo strings (2000) 30’

Thread open instrumentation (2000) 5-7’

String Quartet No. 2 (2000) 20’

Three Bagatelles for Orchestra (1999) 12’, 13’30, 6’06

Piano Quartet (1999) 5’

Mechanical Failure oboe (or violin), bassoon (or violoncello) and piano (1999) 9’

Ungoliant chamber concerto for 14 instruments (1998) 20’

Tuba Concerto (tuba, 5 percussionists, piano, strings) (1998) 32’

String Quartet No. 1 (1998) 12’

Prelude for bass clarinet (1998) 4’

Sonata for alto saxophone and piano (1997) 8’30

Prelude in the style of Claude Debussy for piano (1997) 4’

Clarinet Quartet (1995) 7’

Of the Sun and the Moon for flute (1995) 6’


INSTRUCTIONS / PERFORMANCE ENVIRONMENTS

String Quartet No. 3 (2010) duration variable

Places, or: The Hague Invasion Act (2006/2010) 25-60’ | open instrumentation, video, dancer and text

Quiet System (2009) duration variable | open instrumentation and cassette tape player

Drum/C4 for five percussionists | improvisation structure performed October 2009

Dodging Bullets (2004) for open instrumentation, playback, and video | 23’

Fear/Repetition for speaking voice and loud instruments (2003) c. 5’

the code we use to speak about our disrespect is called time for speaking voice and six percussionists (2001) open duration

in what little hand for four hands and interactive computer [created with Marek Choloniewski] (2001)

Music for David Gordon’s Brain in a Jar for saxophone and interactive computer [created with Marek Choloniewski] (2000)


TEXT

Afterword to Apparitions by Reuben Radding

One is One (Preludes & Fugues) | 48 performance texts | 208 pages (2008)

Bound to Violence one act play for two actors | c. 15’ (2004)

i will not walk self-published, handbound book of 55 poems | numbered edition of 100 (2002)


VIDEO

PRZYPUSZCZENIE improvisation in memoriam Tomek Chołoniewski

LITANIES OF TREES (video version)

VIDEO WORK for Jazz Festival Ljubliana, with Irreversible Entanglements

Questionnaire (2010) music video | 3’08

A Bloodletting (2010) music video | 5’25

Parade (2007) five silent video preludes for Ensemble Klang | 5’

An Abridged List of Options (2006) music video | 9’56

Revolution 5 (2006) music video | 5’09

Things You Cannot See. (2006) music video | 6’06


INSTALLATION


Revolutions in Toronto (audiovisual installation)

Revolutions in Buffalo audiovisual installation

Another World Bank audiovisual installation

Registering Our Exasperation audiovisual installation

untitled audiovisual installation [text, paper, 1/4” tape loop, microphone & speakers]


THEATER / DANCE / INCIDENTAL

music for Shakespeare’s Macbeth produced by Theatre Incognita (2024)

music for Iphigenia Crash Land Falls on the Neon Shell That Was Once Her Heart (a rave fable) by Caridad Svich (2012)

“Ahhhhh” co-composed with Chris Seeds for choreography by Lindsay Gilmour (2012)

music for A Midsummer Night’s Dream produced by Theatre Incognita (2010)

Desire and Decay (2010) live electroacoustic performance to choreography by L. Gilmour

music for wlotka.pl (2006) digital synthesis and sampling for playback produced by Helena Modrejewska Theatre

music for Urojenia (2005) digital synthesis and processed saxophone for playback produced by Helena Modrejewska Theatre

affettuoso audio playback (2003) 80’